Ernest Hilbert edited the Contemporary Poetry Review from 2005 until 2010. His poems have appeared in The New Republic, Yale Review, American Poetry Review, Parnassus, Boston Review, Verse, New Criterion, American Scholar, and the London Review. His debut collection is Sixty Sonnets (2009). He graduated from Oxford University, where he edited the Oxford Quarterly. He hosts the popular blog and video show www.everseradio.com and is an antiquarian book dealer in Philadelphia, where he lives with his wife, an archaeologist.

On and Off of Parnassus

As Reviewed By: Ernest Hilbert

Men in the Off Hours by Anne Carson. Alfred A. Knopf, 2000. USA $24.00, Canada $37.00

Anne Carson’s most recent collection, Men in the Off Hours, is a conspicuous departure from the uniform tone and patient psychological exploration of her previous book, Autobiography of Red, which, for all its intellectual elegance, was essentially a bildungsroman, a formational novel in verse.… continue reading...

The Voice of the Poet

As Reviewed By: Ernest Hilbert

A Series on Recorded Poetry

Thoughtful readers of poetry are attuned to the musical subtleties of the human voice. These qualities shape the poetry, and most poetry—purely optical or purposely discordant linguistic experiments notwithstanding—should be heard, either as an acoustic mental image, when read silently, or spoken aloud.… continue reading...

Oedipus Redivivus

As Reviewed By: Ernest Hilbert

The Throne of Labdacus by Gjertrud Schnackenberg. Farrar Straus & Giroux, 2001

I.

At the height of its rather muted publicity, the new formalism movement-proclaimed by Dana Gioia in the 1980s, and laid out in Linnaean proportions by Mark Jarman and David Mason in Rebel Angels: 25 Poets of the New Formalism-was met with derision by many American poets and with confusion by European poets, few of whom had strayed any great distance from the formal traditions of their forebears.… continue reading...

Beatnik Bohemia

As Reviewed By: Ernest Hilbert

The Beat Hotel by Barry Miles. Grove Press. 294 pages. $24.95.

The byronic images and locales of La Boheme, Giacomo Puccini’s nineteenth-century depiction of classically starving artists in Paris’s Latin Quarter, have come to dominate, rather predictably, portrayals of young artists, writers, and singers: whiskered rogues in whose unwashed ears the muses Aoide, Erato, and very often Melpomene whisper.… continue reading...